КТО ТАКОЙ АРХИТЕКТУРНЫЙ КУРАТОР?

This article explores the evolving roles of architectural curators and architects, arguing that both are increasingly engaging with narrative-building and context-sensitive approaches. The article traces the historical roots of curation, from Roman caretakers to museum directors, and then showcases how contemporary architectural practice is incorporating curatorial methods. This shift is exemplified by the work of Lesley Lokko, who uses curation as a way to address historical imbalances and facilitate new perspectives, and Søren Pihlmann, who views his practice as a form of curation, prioritizing careful selection, contextual understanding, and holistic design. Pihlmann's appointment as curator of the Danish Pavilion in 2025 further reinforces this trend, highlighting the application of curation to sustainable design practices. The article concludes by noting Sumayya Vally's work on the Islamic Arts Biennale, emphasizing the importance of redefining cultural narratives from within. Ultimately, the article suggests that both curation and architecture are becoming increasingly intertwined, focusing on crafting meaningful stories, fostering responsible engagements with the built environment, and providing critical tools to address pressing social and environmental issues.